{"id":511,"date":"2012-02-20T20:01:43","date_gmt":"2012-02-20T20:01:43","guid":{"rendered":"https:\/\/www.msschrittmacher.de\/?page_id=511"},"modified":"2019-02-27T10:29:31","modified_gmt":"2019-02-27T10:29:31","slug":"begeben-sie-sich","status":"publish","type":"page","link":"https:\/\/www.msschrittmacher.de\/en\/begeben-sie-sich\/","title":{"rendered":"BEGEBEN SIE SICH"},"content":{"rendered":"

\"\"Part 3 of the dance radio play trilogy \u2013 in a theater installation<\/strong><\/p>\n

Why does a situation occur in a certain way and not differently? What role do cause and effect play in this context, and what do chance and luck mean? How does fate influence the way a situation develops?<\/p>\n

\u201cBegeben Sie Sich\u201d is the third part of the dance radio play trilogy by MS Schrittmacher (concept: Martin Stiefermann). The author Matthias Wittekindt, recipient of the Kurt-Lasswitz Prize for the first part of Das Lewskow-Manuskript<\/a> in 2006, was once again guided by Cicero\u2019s works (De Fato), as he was in the first two parts.<\/p>\n

\u201cChance\u201d and \u201cFate\u201d are the central motifs that the audience encounters on its way through this interdisciplinary installation, a labyrinth of space and time, challenging the audience to position itself over and over again in a game of repetition and change.<\/p>\n

The visitor hears fragments of three stories spoken by Volksb\u00fchne actor Bernhard Sch\u00fctz via headphones. The audience has the possibility to combine acoustic with visual impressions (images, video and dance) into a personal story.<\/p>\n

The project thus not only brings together a wide range of different media, but also offers insights into diverse artistic approaches to the central motif of fate. \u201cBegeben Sie sich\u201d is a renewed continuation of MS Schrittmacher’s work on altered forms of perception.<\/p>\n

World premiere: August 4th 2007 at the Akademie der K\u00fcnste in Berlin.<\/strong><\/p>\n

\u00a0 IN THE PRESS\u00a0<\/span><\/strong><\/p>\n

\u201cWittekindt\u2019s text itself already plays with the availability of dramatic elements. He describes a location, sharpens the focus of a character, watches her act, and then, when you feel as though you are in the know, a wall of the installation shifts \u2013 and everything is open again. The developing atmosphere is, however constantly charged with expectations of events to come. And just as the text constantly prepares the stage for an event that never occurs, the dancers\u2019 movements constantly anticipate the giant liberating gesture that cuts the tangled strings of the story and leaves it behind. An exciting puzzle that is a pleasure to watch.\u201d (taz)<\/em><\/p>\n

\u00a0TEAM\u00a0<\/span><\/strong><\/p>\n

Research, Director, Choreography:<\/strong>Martin Stiefermann
\nText:<\/strong> Matthias Wittekindt
\nPhotos:<\/strong> Dieter Mammel
\nDirector Radio Play, Music:<\/strong> Alexander Schuhmacher
\nSet Design:<\/strong> Max Wikstr\u00f6m
\nProduction Manager:<\/strong> Christian Maith
\nVideodesign:<\/strong>Andreas J. Etter
\nCostumes:<\/strong> Martin Stiefermann nach einer Idee von Birgit Wentsch
\nDramaturgy:<\/strong>Efrat Stempler
\nAssistant:<\/strong>Antje Rose
\nNarrator\/ Performance:<\/strong> Bernhard Sch\u00fctz
\nDance\/ Performance: <\/strong>Annett Gurtler, Johanna Lemke, Antje Rose, Jon Buckels, Florian B\u00fccking, Mitch de Pauw, Nicky Vanoppen<\/p>\n

Koproduziert von<\/strong> der Akademie der K\u00fcnste
\nGef\u00f6rdert vom<\/strong> Hauptstadtkulturfonds
\nUnterst\u00fctzt von<\/strong> Lichtblick, Fame&Glory, Medimax und DINAMIX
\n<\/p>","protected":false},"excerpt":{"rendered":"

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