{"id":266,"date":"2012-02-04T20:09:43","date_gmt":"2012-02-04T20:09:43","guid":{"rendered":"https:\/\/www.msschrittmacher.de\/?page_id=266"},"modified":"2019-02-27T10:56:05","modified_gmt":"2019-02-27T10:56:05","slug":"trau-schau-wem","status":"publish","type":"page","link":"https:\/\/www.msschrittmacher.de\/en\/trau-schau-wem\/","title":{"rendered":"TRAU SCHAU WEM"},"content":{"rendered":"

\"\"A three-part dance-television<\/strong><\/p>\n

TRAU SCHAU WEM<\/strong><\/p>\n

<\/strong>\u00bbTrau Schau Wem\u00ab is a play with and about trust. Should I trust in what I see and what my partner seems to signalize? And should You believe in all the \u00bbtruth\u00ab You are offered on stage? Overlapping and zapping are the protagonists tools in their attempt to get to the core of a plot, bases on Choderlos de Laclos\u2019 epistolary novel \u00bbDangerous Affairs\u00ab and Heiner M\u00fcllers \u00bbQuartett\u00ab.<\/p>\n

WIE WALDI<\/strong><\/p>\n

 <\/p>\n

KONSERVIERTE BEWEGTBILDMINIATUREN\u00a0<\/strong><\/p>\n

 <\/p>\n

Premiere 23. Februar 2001 at Dock 11 Berlin.<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

\u00a0IN THE MEDIA<\/span><\/strong><\/p>\n

\u00bbStiefermann\u2019s dance version of the novel by de Laclos lasts only about half an hour. He presents four protagonists: Valmont, Merteuil, Tourvel and C\u00e9cile are a quartet driven by greedy innocence and passionate malice, carnal perfidy and sublime virtue. He skilfully skeletonizes the complex tangle of narrative strands and translates them into movement\u00ab \u2028(Frankfurter Allgemeine Zeitung)<\/p>\n

\u00a0TEAM\u00a0<\/span><\/strong><\/p>\n

TRAU SCHAU WEM<\/strong>
\nChoreography and set design: <\/strong> Martin Stiefermann
\nMusic: <\/strong>Alfred Schnittke und Tito Toblerone
\nVideo:<\/strong> Thorsten Alich und Andreas J. Etter
\nLight Design:<\/strong> Klaus Dust
\nWith <\/strong>Anette Lopez Leal, Michael Langeneckert, Anja Kursawe, Francesca Peniguel<\/p>\n

WIE WALDI<\/strong>
\nChoreography and Video:<\/strong> Aliksey Schoettle und Andreas J. Etter
\nMusic: <\/strong>Antonio Vivaldi u.a.
\nLight Design: <\/strong>Klaus Dust
\nWith <\/strong>Aliksey Schoettle<\/p>\n

KONSERVIERTE BEWEGTBILDMINIATUREN<\/strong>
\nLight Design:<\/strong> Thorsten Alich und Andreas J. Etter
\nWith<\/strong> Andreas Zelle
\nProduced by<\/strong>\u00a0MS Schrittmacher
\nSponsored by<\/strong>\u00a0Senat f\u00fcr Wissenschaft, Forschung und Kultur Berlin
\nSupported by<\/strong> Dinamix<\/p>\n

\u00a0VIDEO\u00a0<\/span><\/strong><\/p>\n

<\/object><\/p>","protected":false},"excerpt":{"rendered":"

A three-part dance-television TRAU SCHAU WEM \u00bbTrau Schau Wem\u00ab is a play with and about trust. Should I trust in what I see and what my partner seems to signalize? And should You believe in all the \u00bbtruth\u00ab You are … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.msschrittmacher.de\/en\/wp-json\/wp\/v2\/pages\/266"}],"collection":[{"href":"https:\/\/www.msschrittmacher.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.msschrittmacher.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.msschrittmacher.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.msschrittmacher.de\/en\/wp-json\/wp\/v2\/comments?post=266"}],"version-history":[{"count":0,"href":"https:\/\/www.msschrittmacher.de\/en\/wp-json\/wp\/v2\/pages\/266\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.msschrittmacher.de\/en\/wp-json\/wp\/v2\/media?parent=266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}